Listen to a selection of tracks from The Wire January 2011 Office Ambience

Listen to an exclusive live recording of Vomir's Wall Noise...

Listen to tracks from his latest album Ante-Mortem

Listen to a track off of Artefacts Of Australian Experimental Music: Volume 2 1974–1983

Listen to a track from the artist formerly known as Birchville Cat Motel...

Listen to three tracks from dub master Scientist...

Listen to a short extract taken from William Bennett & Mimsy DeBlois's original 2-hour work Extralinguistic Sequencing, which premiered at London's Tate Britain as part of the Speculative Realism event held there in September 2010.

Listen to two tracks off Teatime, mid-1970s free improvisation from Garry Todd/Dave Solomon/John Russell/Nigel Coombes/Steve Beresford recently reissued by Emanem

Listen to a track off their EP Of Light...

Listen to a selection of tracks from The Wire December 2010 Office Ambience

Listen to work by the polymathic Belgian composer

Watch and listen to artists who will be performing at the forthcoming MazaJ festival of Middle Eastern music, London Cafe Oto & City University, 18, 20 & 21 November. Supported by The Wire.

Listen to a track from Sone Institute & Dollboy, exclusive to The Wire...

Listen to two exclusive tracks from Kommissar Hjuler...

Listen to exclusive tracks by composer Jennifer Walshe

We asked Barry Esson and Bryony McIntyre, the organisers of Glasgow's Instal 2010 (12–14 November), to give us an idea about what the forthcoming festival of experimental music will be like. Scroll down to listen, watch and read about the artists involved...

Listen to a selection of tracks from The Wire November 2010 Office Ambience

Watch and listen to work by artists who will be taking part in the forthcoming Cut & Splice festival, 4–6 November

Listen to an exclusive compilation by the Complainer (aka Wojciech Kucharczyk, founder of Poland's Mik.musik.!. label), with previously unreleased tracks

Listen to Tecnobrega tracks from the city of Belém in northern Brazil, as featured in Andy Cumming's article in The Wire 320