Mix
Wire Mix: Gosheven
October 2018
Ahead of his performance at Schiev festival in Brussels, Hungarian musician Gosheven shares a new slow-paced mix
Annotated playlists, exclusive mixes, album previews and more.
Ahead of his performance at Schiev festival in Brussels, Hungarian musician Gosheven shares a new slow-paced mix
Japanese dub punks G36’s forthcoming EP to be released by his Pressure imprint
Hear an exclusive audio sample of Joan La Barbara’s piece for Modularias, the evening of modular synth song cycles dreamed up by New York’s composer run opera company Experiments in Opera
The Paris born, New England raised, Chicago based jazz drummer shares a full stream of his forthcoming double LP
After a string of collaborations, guitarist Tashi Dorji is releasing a new solo album
The Virginia producer talks about his debut physical format release Black Helicopters
Stream 50 tracks compiled by Paul Gilroy that chart the development of black music in Britain over the last 70 years, from calypso to grime
Listen to a selection of tracks we played at Wire HQ during the making of our November issue
Frederikke Hoffmeier releases a preview of her forthcoming album and addresses its themes and motivations
The Philadelphia based musician Camae Ayewa is curating a stage at this year's edition of the Utrecht festival
Daqa'iq Tudaiq is the Montréal-Beirut audiovisual duo’s third full length release
Writer Phil England compiles tracks to accompany his article about Victor Schonfield and Music Now, featured in The Wire 416
London based Japanese performance duo O YAMA O release their debut album
The Seattle based musician and artist releases her second solo album via SIGE
The Bristol outfit’s first full-length record is released by Alex Digard and Ossia’s NoCorner imprint
The US musician combines cello and voice on Runt Vigor
Listen to a selection of tracks played in the office during the making of The Wire 416
The Belgian improvising duo aim to bring new life to traditional instruments
Ecce Homo is forthcoming on Touch
Gave In Rest is Davachi’s modern reading of early music