The Brooklyn based trio announce the swift follow-up to their latest release The Narrows

Label founders Loke Rahbek and Christian Stadsgaard present their own productions on Great Many Arrows to mark 8 years of their imprint

Cairo based producer Ahmed El Ghazoly shares an unreleased track

Following their performance at Manana festival in 2016, the UK producer duo and Cuban band release a full length album together

Dragoș Rusu, organiser of Romania's Outernational Days festival, has recorded a mix exclusively for The Wire

Listen to a track taken from the venue's latest digital download release

The German dub techno duo are releasing their first album in seventeen years

French author, composer and artistic director of the Groupe De Recherches Musicales shares three pieces from a forthcoming album

Closing our Wire 400 mix series, Irish collective No Place Like Drone share a set of ambient music

Listen to a selection of tracks played in The Wire HQ during the making of the July issue #401

Ascetic House share music from a new USB package featuring eight separate works

Detroit DJ and producer Kelli Hand contributes to our Wire 400 mix series

Following on from Weasel Walter's appearance in The Wire 400, listen to some unreleased recordings of The Flying Luttenbachers performing live in 2005

Listen to a selection of tracks played in The Wire HQ during the making of the June issue #400

The experimental drone collaborators return with Impassable Fears

Following the release of their fifth LP, the next in our series of Wire 400 mixes comes from sound architects Emptyset

Stream the drummer and composer's latest studio project ahead of its release on new label Float

Inspired by Jorge Luis Borges’s short story The Aleph, the fifth in our series of Wire 400 mixes comes from Mira Calix, with the title “Sunset In Queretaro, A Rose In Bengal”

The pioneering electronic group release their first album of new material since 1985

From Woofah co-founder and blogger John Eden, the fourth in our series of Wire 400 mixes is filled with “deathly dub, soundsystem seagulls and wrong-headed reggae”