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Long-running Sonic Acts festival will take place in February

The theme for this year's edition will be The Noise Of Being

Sonic Acts returns next month with The Noise Of Being as its theme. This edition of the festival, which began in 1994, will feature an exhibition, workshops, masterclasses, films, performances and club nights at various venues around Amsterdam.

“The Noise Of Being is about what it also means to be human, to be part of a world that is an ever changing network,” declares the fest. Artists confirmed so far include Aïsha Devi, BJ Nilsen & Karl Lemieux, Emptyset, Jana Winderen, JK Flesh, Kara-Lis Coverdale & MFO, Luke Fowler, Susan Schuppli and many more. The Wire’s Nina Power is one of many artists, writers and thinkers participating in the three day conference centred on the festival’s theme.

Sonic Acts runs from 23–26 February.

Title TK book published by Primary Information

Title TK features performance transcripts from the talking guitarists trio consisting of Cory Arcangel, Howie Chen and Alan Licht

A collection of performance transcripts from the guitar trio Title TK has been just published. The collection features members Cory Arcangel, Howie Chen and Alan Licht engaging in unscripted conversations about music, the music industry and popular culture, and is said to draw inspiration from David Antin’s improvised talk poems. The book includes ‘gigs’ from Lit Lounge, Audio Visual Arts, the Whitney Museum (with guest Danny Goldberg), Performa (a collaboration with Michael Smith), Oberlin College, POP Montreal festival, Dia Beacon, Carnegie Museum of Art, Roulette and Triple Canopy. The book is published by Primary Information.

John Zorn’s performance venue The Stone to close its doors

The New York venue hopes it will find another home from 2018 onwards

After 13 years in action, John Zorn’s not for profit experimental music venue The Stone looks set to close its doors. Founded in 2005 by Zorn, who holds the role of Artist Director, the venue in Manhattan’s East Village has staged more than 7000 performances. 100 per cent of its ticket sales go to performers, and with no refreshments or merchandise sold onsite, expenses are covered through donations and the selling of limited edition CDs featuring live recordings made at the venue. According to its website, The Stone’s last gig is scheduled to happen in February 2018 – however the venue remains hopeful of finding a new home.

“All of us at The Stone extend heartfelt thanks to the musicians who have performed here, the volunteers who have kept it running, our patrons who have given generously to help cover our expenses and to our audience for its support,” writes Zorn. “We do hope you will all enjoy this last year in our historic underground East Village location and that you will all follow the music wherever it leads. Venues come and go but the music continues on forever!”

Aki Onda directs Japanese festival TPAM

The international platform for contemporary performing arts will take place in February

Aki Onda has been appointed as one of the directors of the forthcoming edition of TPAM (The Performing Arts Meeting) festival in Yokohama. Established in 1995 as Tokyo Performing Arts Market, the international platform moved to neighbouring Yokohama in 2011. This year's event will feature the Vietnamese singer-songwriter Ngoc Đai, Senyawa, Jen Shyu, Marginal Consort, Nao Nishihara and the Yasuno Miyauchi ensemble Tsumugine. TPAM takes place at various venues across Yokohama from 11–19 February.

The Wire presents Shackleton and Inga Copeland at The Jazz Cafe

Camden's Jazz Cafe venue announce more shows for the new year

As part of an ongoing series at London’s Jazz Cafe, The Wire presents Shackleton and Inga Copeland will take place this February. The double headline gig follows last summer’s performance from Andy Stott, with more The Wire events in the future TBC.

Also forthcoming at the North London venue on 10 March will be London based duo Tomaga on a bill alongside This Heat's Charles Hayward, Ben Vince and Camila Fuchs.

The Wire presents Shackleton and Inga Copeland will take place on 10 February. Also playing on the night will be the Healthy Living DJ Sloe Loris.

A weekend of art/noise/reaction happening in Bristol

The Arnolfini to host Howling Owl’s New Year/New Noise fest

Howling Owl Records will present their fourth edition of New Year/New Noise this month. Taking place over three days at the Bristol art space Arnolfini, it promises “harsh new harsh static”, elaborating, “crisp thick brick dust clogs lung and throat. Chests tighten for tired exhalation and fragments of everything cave in”.

The first edition took place back in January 2014. “For nights afterwards, my head is full of a sinister, beehive hum: wreckage leftover from astonishing noise,” declared reviewer Charlie Fox in The Wire 361. This year's line-up features Klein, Agatha, Girl Band, Silver Waves, Johnsmith, asda, Yama Warashi and Howling Owl DJs. It will also feature a a workshop in gate-making by Champ Collective and a panel discussion on internet radio featuring Seb Wheeler (Mixmag, Tropical Waste), Tabitha Thorlu-Bangura (NTS), Leon Arifin (NOODS) and Sam Banham (BBC Introducing).

New Year/New Noise will run from 20–22 January. Weekend tickets are £15.

Domino kicks off new imprint with a Julia Holter release

Domino Documents will feature live recordings from some of the label's artists

Domino has launched a new imprint called Documents. The irregular new series of live studio recordings plans to “capture the ever-evolving arrangements of our artists and their bands in high fidelity”. On top of that, all releases will be recorded in two days or less.

Although the label counts The Villagers’ 2016 release Where Have You Been All My Life? as the honorary inaugural Document release, its first official output comes from Julia Holter on 31 March with In The Same Room. Recorded with bandmates Corey Fogel, Dina Maccabee and Devin Hoff after their performance at Green Man festival in Wales, the release comprises of new arrangements of songs taken from the previous studio releases:Tragedy (2011), Loud City Song (2013) and Have You In My Wilderness (2015).

“Holter’s Domino Documents is an essential release for anyone who has witnessed her brilliant, beguiling band on tour around the world in the last five years as well as the perfect introduction to a truly important and innovative young artist,” declares the label.

You can listen to “So Lillies” below:

Where Have You Been All My Life? is available for pre-order now.

No messing

The dirt on Einstürzende Neubauten’s new Greatest Hits LP

No prizes for guessing the right answer, but who gouged Einstürzende Neubauten’s name into the gold disc adorning the front cover of their new double LP Greatest Hits? And while we’re asking questions, what kind of ink did said miscreant use to scrawl the album’s title all over it? The compilation’s title and tracklist are taken from the Greatest Hits shows the Berlin group have been playing out in recent years alongside their more conceptual project Lament, and it mostly consists of recordings made by their current, longest lasting line-up.

CSI specialists have no doubt already deduced that the title is written in piss. It’s Neubauten founder Blixa Bargeld’s, apparently. Before you ask, yes, it’s also his handwriting, and he used a pipette, not his penis, as a pen. A footnote in the album credits acknowledges the artwork in part pays dual homage to West German agit-rock legends Ton Steine Scherben’s IV and Andy Warhol’s piss paintings.

Greatest Hits is released by POTOMAK

Mira Calix opens a portal for her new music

Mira Calix reveals her plans to curate an online portal which will also include her Warp back catalogue

Mira Calix has established a new creative platform for her recordings and other works. The portal, or “virtual gallery space” as her press release describes it, is divided into three sections: Music, Materials and Conversations.

The Music section currently features four new works including I Desire No Commendation. Inspired by a painting of Henry VIII’s last wife Catherine Parr, the track features vocals by UK artist Sarah Lucas. Another piece called Just One More Thing is performed by bassist Robert Black, founding member of the New York ensemble Bang On A Can Allstars. In addition, Calix’s Warp back catalogue is also available. The Materials section has limited edition artworks and virtual sleeve art, and Conversation will host a series of recorded talks with various friends and collaborators. Releases across all three sections will appear at regular intervals, but not to a specific schedule. Parts will be available to download for a limited period while other works are streamed.

‘‘The portal seems really appealing as a new space to share my work and those of people I admire,” states Calix. “I’ve been fascinated over the last decade by objectifying sound, with the song as a place and the challenge of building environments. I couldn’t think of anything I wanted to do in the traditional stereo, album format. Most of my output has been installations, with multiple speaker systems[...]

“It occurred to me that a digital portal allows me to release standalone, longer pieces of music without forcing them into traditional formats. Digital gives me the freedom and the opportunity to build a new environment, one where discourse, visual art, text and music can sit side by side with intimacy and immediacy.”

Calix's portal is hosted by Bleep, and content is already available to view. But the portal launch proper happens in the form of a live stream on 6 January.

Manuel Göttsching doubleheader confirmed for 2017’s Convergence festival

The German composer brings the The Ash Ra Tempel Experience and E2–E4 to London’s The Barbican

As part of 2017’s Convergence festival, German composer and multi-instrumentalist Manuel Göttsching will present two projects in one night at London’s The Barbican. The evening will open with The Ash Ra Tempel Experience, featuring Ariel Pink (vocals, bass), Shags Chamberlain (keys, synthesizer) and Oren Ambarchi (drums) alongside Göttsching on guitar. This new incarnation of Göttsching’s legendary early 1970s group Ash Ra Tempel first came together in Melbourne 2015 to play music from Schwingungen (1972) and Seven Up, the 1973 album Ash Ra Tempel made with Timothy Leary. In the second half, Göttsching will perform his E2–E4 solo album in its entirety.

E2–E4 + Ash Ra Tempel Experience will take place on 22 March 2017. An Ash Ra Tempel Experience live album will follow later in the year.