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Borbetomagus film seeks backing

Belgian film maker Jef Mertens is looking for funding to finish a film documenting the 30 year history of noise rock improvisors Borbetomagus. The film includes interviews, live footage from recent shows and archival clips.

Mertens has been working on the documentary with the group's approval since around 2011, when he toured with them for three days. He has so far conducted interviews with Thurston Moore, Byron Coley, Chris Corsano and Jason Gross, and amassed footage from the 1990s, with help from Hijokaidan's Jojo Hiroshige and Opposite Records's Don Sigal.

Borbetomagus's Jim Sauter says: "We met Jef Mertens at the 2009 concert at Instants Chavires. he has really great video footage of the concert… He also interviewed us in the green room just before the gig...

"Byron and I have both told him to finish it when he thinks it's ready. Don't rush it… we'll see what happens."

To be able to complete the film Mertens wants to conduct one final interview with the group, and aims to combine this with a short Borbetomagus tour in Europe. Nothing has been formalised yet, but those interested or with archive footage should contact Jef via the film's site here. Updates as we receive them.

The Ways Of The Hacker: Next Wire Salon at Cafe Oto

The story of maverick, revolutionary or pragmatic instrument building winds back through the history of 20th century experimental sound and music to limn digital processing and analogue synthesis, intermedia and installation art, live electronics and AV systems, free improvisation and indeterminacy, robotics and automata, aleatory and environmental processes, Just Intonation and other militant tuning systems, before arriving at the ground zero of Russolo's noise makers, the intonarumori.

This edition of The Wire Salon brings together a panel of contemporary experimental musicians and instrument builders including Leafcutter John, Tom Bugs, Sam Underwood and Kirsten Reynolds to discuss the philosophy and practice of designing and building new audio interfaces and systems in the 21st century soundworld, whether from scratch or in order to modify existing analogue and digital hardware or software.

The discussion, which will be moderated by The Wire's Deputy Editor Frances Morgan, will examine the aesthetic, political, economic and technological potentiality (and limits) of building or rewiring new sonic tools, as well as exploring the current scene's links with hacker and DIY culture. As part of the discussion each panelist will demonstrate examples of their own custom built gear.

The Wire Salon: The Ways Of The Hacker takes place at London Cafe Oto, 7 February, 8pm, £4 (tickets on the door only, no pre-sales).

Tom Bugs has been designing and building a wide variety of electronic audio instruments as BugBrand since 2005. His low-tech/circuit bending roots are still apparent in the circuitry of the Weevil family of devices, but the refined power and aesthetics of his Modular System is the focus of his current work, which mixes artistic and technical approaches in a highly distinctive manner.

Sam Underwood, aka MrUnderwood, is a musician, sound artist and instrument designer. With the sensibility of a hacker, his work is geared towards developing new ways of creating music, sounds and interfaces with instruments and technology. He is currently artist in residence at the iShed in Bristol and guest composer at the legendary EMS in Stockholm. His activities include MortonUnderwood, a musical instrument design company co-run with David Morton; ORE, a doom tuba duo; and the Sonic Graffiti project.

Leafcutter John is a London-based musician, instrument builder, software designer and installation artist. His work combines vanguard electronics and processing with improvisation and traditional folk forms.

Kirsten Reynolds is a UK artist whose work encompasses painting, sculpture, collage and print-making as well as the use of customised sound, light, electronics and found objects. She is a former member of Bow Gamelan Ensemble and Headbutt, currently works as part of the experimental turntablist duo Project Dark, and is a member of Music Hackspace.

Read & Burn: A Book On Wire published by Jawbone

Bruce Gilbert, Graham Lewis, Colin Newman and Robert Gotobed's output as Wire is being surveyed in a huge book by Wilson Neate, author of the 33 1/3 book on Wire's Pink Flag.

In his intro, in the spirit of Wire's negative rule set ("No solos; no decoration; when the words run out, it stops; we don’t chorus out; no rocking out; keep it to the point; no Americanisms.") Neate states that the book was not read, vetted or approved by the group; that it is not a biography of the group, or about their solo projects; that it does not provide a comprehensive discography or forensically dissect Wire's back catalogue.

What it does include is the result of over 100 hours of interviews plus email correspondence, conducted between 2007–2011 (after Gilbert's departure in 2004) with Gilbert, Lewis, Newman and Gotobed, plus others associated with the group. The page count is as yet unconfirmed - all we know is that it's going to be big (400 pages plus). The foreword is by Minuteman Mike Watt.

Read & Burn: A Book About Wire is scheduled for release in March, covering the group's inception in 1977 up to the present day. More details incoming on the Jawbone site.

Former Magic Band members play Captain Beefheart in London

Quick heads up for Beefheart fans: members of Don Van Vliet's Magic Band, John "Drumbo" French Denny "Feelers Rebo" Walley, Mark "Rockette Morton" Boston, are playing a night of classic Beefheart tracks, joined by guitarist Eric Klerks and drummer Craig Bunch.

The show takes place on 16 March at Under The Bridge in London (at Stamford Bridge). More details here, and a listing here.

Joseph Byrd pieces recorded by American Contemporary Music Ensemble

Recordings of works by Joseph Byrd, student of Morton Feldman and John Cage and frontman for The United States Of America, are being released by the American Contemporary Music Ensemble via New World Records.

Byrd collaborated with a number of Fluxus artists in the 1960s, and also formed Joe Byrd And The Field Hippies, recording psych-rock album The American Metaphysical Circus in 1969.

This release, Joseph Byrd NYC 1960–1963, recorded by contemporary music ensemble ACME, includes new recordings of "Animals", "Loops And Sequences" (written for Charlotte Moorman), "Water Music" (written for Max Neuhaus), "Four Sound*Poems" (each of which is dedicated to a woman from the experimental art scene at the time), plus "String Trio, Densities I".

Joseph Byrd NYC 1960–1963 is released via New World Records on 5 February. Listen to "Animals" below.

Evan Parker 1978 concert to be released by The Western Front

Canadian art centre The Western Front are planning to issue a limited vinyl edition of an Evan Parker concert from 1978. The concert was recorded at the end of a string of dates in the US and Canada, a few days after Parker's solo performance Live At Finger Palace (originally released on the Beak Doctor label).

The Western Front, based in Vancouver, asks anyone interested to email tomwhalen@front.bc.ca, to help the label decide on the size of the print run.

Prix Ars Electronica 2013 opens applications

This year's Prix Ars Electronica has opened applications for the 2013 competition. The seven categories include computer animation, hybrid art, interactive art, digital communities, digital music and sound art, 'the next idea' (for ideas and innovation), and a youth category. More details on the categories here.

€117,500 is awarded in the form of six Golden Nicas and 12 Awards of Distinction. Deadline for submission is 8 March, and multiple submissions are accepted, although a work can only be submitted in one category.

Last year's winners in the digital music and sound art category included Jo Thomas (pictured above), Francisco Lopez, Thomas Ankersmit and Valerio Tricoli, among others. More details on the awards, plus application details here.

Pete Swanson releases EP on Software, tours UK and EU

Pete Swanson is releasing an EP on Daniel Lopatin's Software label. Punk Authority, another barrage of noisy Techno, is out on 12 March, digitally and as a limited vinyl pressing.

Swanson (formerly of Yellow Swans) released on Type (the Pro Style 12") and Blackest Ever Black (a 7" with Moin) last year, and plays a string of dates in the UK and Europe in the coming weeks, including Dublin (tonight) followed by Bristol, London and Cambridge in the UK. Listing for Swanson's tour here, and listen to "Life Ends At 30" from Punk Authority below.

The Complainer retires, offers final album for free

The Complainer has announced his official retirement, but says "this is an occasion for some gifts, no tears!". As such, he's offering his final album for free.

Wojciech Kucharczyk, aka The Complainer, says he is not quitting, only putting his The Complainer project to bed. To mark the retirement he's offering his final album as The Complainer for free, to anyone who sends an email requesting it to his address (w@mikmusik.org, subject line: I want THIS last TC).